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Pearl is far older than Portia (maybe late 70s, to Portia’s mid-50s), and lives on a 1970s farm that just got rented by a group hoping to shoot a “cinematic” porno. Lady Featherington shares that longing with X’s antagonist Pearl, though the two channel the frustration in different ways. Lord Jack may be the wrong path, but at least he’s still a path. Like the young adults populating Bridgerton’s many balls, Lady Featherington is eager to love and be loved, and since losing her husband, she hasn’t found a way to get that acknowledged. The possible deception of it all doesn’t really matter, at least for a second. The woman wants to get laid, and almost absconds to America with a known crook (and her daughter’s betrothed) to do it. Though she ultimately squirms out of his grasp, Portia considers his proposal after all, in a season all about the deep ache that sexual urges can instill, Lady Featherington is no exception. Lord Jack preys on her widow status, promising to marry her when they run away to the States.
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The two Featheringtons scam the whole ton to earn money, but as their gambit gets close to being found out, Portia is caught in a con of seduction. It turns out to be Lord Jack Featherington, a distant relative she’s never met, who (after a bit of scheming on both their parts) eventually turns out to be a canny hustler. Take Bridgerton season 2: When aging, formerly well-to-do baroness Portia Featherington winds up penniless after her husband’s death, she waits to see what young man will assume the title of “Lord Featherington” and control her family’s fate.
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#BRIDGERTON GAY SEX SCENE PORN MOVIE#
While the characters in Bridgerton, Ti West’s recent horror movie X, and HBO Max’s gay pirate comedy Our Flag Means Death vary in age, they all show there’s a danger in thinking there’s an expiration date on sexual desire. A few COVID-19 variant waves later, the newly released season 2 joins a chorus of other shows and movies focused on the blissful freedom of doin’ it - and the dangers of suppressing the urge.
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"Also making sure that modesty garments are held on even though the actors are wet, because a lot of times they're held on with tape or glue, and making sure that that is still in place even with doing some very energetic scenes.In December 2020, Netflix viewers met the first season of Bridgerton with open arms and a tremendous amount of pent-up yearning. "You're working with actors that are wet so you've got to be careful about wigs, you've got to be careful about costume," Talbot previously told The Hollywood Reporter. While the scene only runs for three minutes, it actually took months to coordinate. So that was a bit of an intimacy circus going on there." "We were in loads of different locations all over the country, we were inside, outside, up ladders, we were everywhere! We were working in the dry and in the rain, on flagstone floors and up against walls and in Regency beds. "There's so much going on there," Talbot said with a laugh. The sequence is set to the tune of Duomo's instrumental cover of Taylor Swift's song "Wildest Dreams." The "Taylor Swift montage," as Talbot calls it, features Daphne Bridgerton (Phoebe Dynevor), and Simon Basset (Regé-Jean Page) having sex all over his country estate after their wedding. The crew used real Regency era beds to film the intimate scenes.